Throbbing Gristle - Kreeme Horn download free

Throbbing Gristle Industrial Noise Ambient 1997 Russia

Genre:	Electronic
Performer:	Throbbing Gristle
Title:	Kreeme Horn
Style:	Industrial, Noise, Ambient
Date of release:	1997
Country:	Russia
MP3 album size:	1726 mb
FLAC APE album size:	1768 mb
WMA album size:	1509 mb
Digital formats:	MIDI AAC MP3 DTS TTA FLAC VQF

Tracklist

Inelegant Epistels
1	Careless Idle Chatter	17:42
2	Merely Nodding	14:31
3	Raw Mode Of Life	8:16
4	Rumour And Dishonour	12:50
5	Ugliness Is A Form Of Genius	11:37

Companies, etc.

Published By – Copyright Control
Published By – Miss Jackie Songs
Distributed By – EFA – EFA 08490-2

Credits

Artwork [Collage] – Bainbridge
Bass Guitar [All Bass Noise Guitars], Violin [Electric], Vocals – Genesis P-Orridge
Composed By [Decomposed Shapelessly By] – C.C. Newby, C. Carter*, G. P-Orridge*
Design [Cover Design] – Manfred Schiek, Robert Schalinski
Lead Guitar [All Repellent Lead Noise Guitar By] – Cosey Fanni Tutti
Liner Notes – Father Malachi
Lyrics By – Genesis P-Orridge
Music By [All Distended Musics Written By] – Throbbing Gristle
Producer [Unaesthetically Produced By] – Genesis P-Orridge, Throbbing Gristle
Synthesizer [All Synthesiser Cacophony By] – Chris Carter

Notes

Subtitle: In Praise Of The Grotesque
All musics written in 1975. Unaesthetically produced in 1975.
Copyright Control 1975-1995.
Repellent recording on a Stereo Sony TC 85 Cassette Recorder in "The Death Factory", London, England.

Cover design: 1997.
Collage - A.R.T. "In Praise of the Grotesque - in 1975 I was 4 years old".

Made in Germany.

Barcode and Other Identifiers

Barcode: 7 1875-08490-2 1
Label Code: LC8603
Rights Society: GEMA

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
8-627	Throbbing Gristle	Kreeme Horn ‎(CD, Unofficial)	ArsNova	8-627	Russia	Unknown

Dakora

Love this period of early TG - the beginnings really. Can't say I like the packaging/design of this CD, but really a fantastic recording. Some of the best early sounds I've heard by them, my opinion, but does anyone know if Peter Christopherson actually played/contributed in any part to the sounds of this recording?Peter Christopherson was not credited on the liner notes/packaging this recording. If this 1975 "Death Factory" recording date is accurate, wouldn't he have been a contributor? This could use a "official" release...